Miyerkules, Setyembre 30, 2015

Sam Smith Spectre "The Writing's On The Wall 2015The Pop-Shop Billboard
Featuring Sam Smith
Early life
Smith was born in London, England, the son of Frederick Smith and Kate Cassidy, a broker. He is an alumnus of Youth Music Theatre UK and starred in their 2007 production of "Oh! Carol" Before entering the musical theatre, Smith had been in jazz bands For a number of years he studied singing and songwriting under jazz pianist Joanna Eden. He attended St. Marys's Catholic School in Bishop's Stotford.  He was a member of the Bishop's Stortford Junior Operatics (now Bishops Stortford Musical Theatre Society) and the Cantate Youth Choir.
Samuel Frederick "Sam" Smith (born 19 May 1992) is an English singer and songwriter. He rose to fame in October 2012 when he was featured on Disclosure's breakthrough single "Latch", which peaked at number eleven on theUK Singles Chart. His subsequent feature—on Naugthy Boy's"La La"—earned him his first number one single in May 2013.
In December 2013, he was nominated for the 2014 Britt's Critiques Award poll and the BBC'S Sound of 2014 poll, both of which he won.He released his debut studio album,In the lonely Hour in May 2014 on Capitol Records The lead single, "Lay Me Down", was released prior to "La La La". The second single, "Money on my Mind", became his second number one single in the UK.The album's third single, "Stay With Me", was an international success, reaching number one in the UK and number two on the U.S. Billboard Hot 100, while the fourth single "I'm the only One" reached the top five in both countries. The fifth single, "Like I Can", reached number nine in the UK.
In December 2014, Smith was nominated for six GRAMMY Awards and at the 57TH Grammy Awards in February 2015 he won four: Best New Artist "Stay with Me" for Record of the Year and Song of the Year and In the Lonely Hour for Best Pop Vocal Album. At the 2015 Brit Awards he won the awards for British Breakthrough Act and Global Success.

Biyernes, Setyembre 4, 2015

Pop/Rock » Heavy Metal » Pop-Metal
Bon Jovi
BON JOVI
The least metallic variation of heavy metal, pop-metal became the most popular form of hard rock during the '80s. Some pop-metal bands emphasized metal's most important building block -- the guitar riff -- more than others, but pop-metal's main attraction were the huge, catchy hooks that owed a great deal to the fist-pumping choruses of arena rock. Most of the Los Angeles-based bands (where the scene was heavily concentrated) also drew on the elaborate visual stylings of British glam rock, which resulted in the much-maligned "hair metal" boom of the late '80s. While pop-metal sounded loud and aggressive on the surface, it nearly always had a slick studio sheen that kept it radio-friendly. '70s artists like Aerosmith and Alice Cooper had an undeniable influence on pop-metal, but the band that sparked the true genesis of the style was Kiss. Kiss' music was catchy and utterly simple, and their wildly theatrical visuals were an essential part of their appeal. Next came Van Halen, whose wild party-rock and virtuoso lead guitarist set the style for much of the pop-metal that followed.
Kiss
 KISS
The first wave of pop-metal -- bands like Motley Crue (who would later become superstars), Quiet Riot, Dokken, Ratt, and Twisted Sister -- wasn't quite as poppy as it would later become, save for Def Leppard's 1983 landmark Pyromania, perhaps the most melodic metal album up to that point. Bon Jovi's 1986 smash Slippery When Wet ushered in the age of hair metal, where photogenic looks (and, yes, teased-up hair) became just as important in selling a band as the music itself. The following year, Def Leppard's Hysteria set new standards for smoothed-out production as well as blockbuster sales. Not all subsequent pop-metal fell into the slick, image-conscious hair-metal camp; Guns N' Roses, Tesla, and Skid Row often had a grittier edge, and Extreme was unpredictably eclectic, while veteran rockers Kiss, Aerosmith, and Alice Cooper all staged pop-friendly comebacks.
Poison   
POISON
But by and large, the hair bands reigned supreme, playing lots of sleazy Aerosmith boogie and big AOR-style power ballads with bits of Van Halen flash; Poison embodied the glammed-up, party-hearty excess of hair metal perhaps better than any. Pop-metal and hair metal (and the excess and formula that had come to be associated with both) were effectively wiped off the musical map by grunge in 1991; some pop-metal bands continued to record for smaller labels and cult audiences, but the music's reputation had suffered too much to restore its former glamour.



Biyernes, Agosto 28, 2015

Image result for pop music art
Pop music Subgenres
This article is about a specific music genre. For popular music in general, see Popular music. For other uses, see Pop music (disambiguation).
"Pop song" redirects here. For other uses, see Pop Song.
Pop music
Stylistic origins
Cultural origins
1950s and 1960s, United Kingdomand United States
Subgenres
·         Baroque pop
·         Bubblegum pop
·         Christian pop
·         Dance-pop
·         Electropop
·         Europop
·         J-pop
·         K-pop
·         Operatic pop
·         Power pop
·         Progressive pop
·         Soundtrack
·         Sophisti-pop
·         Synthpop
·         Space age pop
·         Sunshine pop
·         Teen pop
·         Traditional pop
Fusion genres
·         Art pop
·         Bubblegum pop
·         Country pop
·         Disco
·         Experimental pop
·         Indie pop
·         Jangle pop
·         New wave
·         Pop punk
·         Pop rock
·         Psychedelic pop
·         Smooth jazz
·         Urban pop
·         Wonky pop

Pop music (a term that originally derives from an abbreviation of "popular") is a genre of popular music, which originated in its modern form in the Western world during the 1950s and 1960s, deriving from rock and roll. The terms "popular music" and "pop music" are often used interchangeably, although the former is a description of music which is popular (and can include any style).
As a genre, pop music is extremely eclectic, often borrowing elements from other styles including urbandancerockLatin and country; nonetheless, there are core elements which define pop. Such elements include generally short to medium-length songs, written in a basic format (often the verse-chorus structure), as well as the common employment of repeated choruses, melodic tunes, and hooks.
So-called "pure pop" music, such as power pop, which has been described as mixture of hard rock and melodic pop musi and tends to be more aggressive than pop rock, features all these elements, using electric guitarsdrums and bass for instrumentation.



Linggo, Agosto 16, 2015

Spotify PoP

Jars Of Clay- Christian Contemporary Pop-Rockjars_of_clay_bioJars of Clay is comprised of Dan Haseltine, lead vocals, Stephen Mason, guitar/ background vocals, Matt Odmark, electric and acoustic guitars/background vocals, and Charlie Lowell, piano and keyboards/background vocals.
Jars of Clay takes its name from II Corinthians 4:7. "We have this treasure in jars of clay to show that this all-surpassing power is from God and not from us.
Jars of Clay began in 1990 when a band of eager, but completely unprepared, youngmusicians came together in a sort of "dormitory acoustic group" at Greenville College in Illinois. Not even thinking about an actual career in music, they began to write songs more for the fun of it than anything. For even a little more entertainment, they decided to submit a demo to a national new artist competition. Three million records later, the music of that unassuming group of college buddies is heard around the globe. And the band, filling store shelves and the hearts of millions, is Jars of Clay.

Since winning the Gospel Music Association's Spotlight Competition in 1994, Jars of Clay has achieved multi-platinum status and collected numerous awards - including a 1997 Grammy, 4 Dove Awards and 15 career Dove nominations. They have also received extensive radio airplay on contemporary Christian, mainstream alternative rock and alternative pop stations resulting in 10 #1 singles. But what keeps audiences clamoring for more is the group's talent for blending edgy and dynamic sounds with thought provoking and pointed lyrics that challenge listeners to thrive outside of the typical.
"If I Left the Zoo", the band's third album for Essential/Silvertone Records, grabs hold of the unexpected and stands it on its head. Incorporating a unique blend of organic and playful music - reminiscent of the group's self-titled, debut album - with inspirational and witty lyrics, If I Left The Zoo refreshes the spirit and ignites the soul.
2003
Jars of Clay were very busy this year, releasing two albums.
Multi-platinum, Grammy winners Jars of Clay have long been known as one of the premier live acts in music today, headlining their own tours, while also partnering with performers such as Sting and Sheryl Crow. Whether it's in the midst of a swirling rock recital, or the haunting simplicity of an acoustic song, Jars of Clay is at their artistic finest while connecting with a live audience.

Synth-Pop
Adam Young of Owl City
Adam Young of Owl City


In the state of Minnesota lies a small town called Owatonna with roughly twenty-two thousand inhabitants. Within that city is a quiet road with a modest house. In that house there's an unkempt basement with no windows. Within those confines you'll find Adam Young of Owl City hard at work on his electronic and melodically infectious music of simple and singular beauty.

Inside this "cave," as Adam likes to describe it, he has begun to quickly win over a large audience thirsty for something genuine, something sublime.

Being an only child in a small town, and having no musicians in his immediate family, Adam is hard pressed to say how it all started. Explaining that he always had a "push" to be creative, Adam picked up his first guitar in junior high school.

Growing up in a "sheltered bubble" and being one of the more shy kids around the neighborhood, Adam seemed compelled to lend his time and creative ideas to music.

"I've always been the shy guy, I don't see that changing, but I definitely feel a lot more comfortable than I anticipated. I can hide behind the music."



"I'm still trying to figure it out," Adam laughs. "Back in June of 2007 it kind of started on a whim. My parents were away for the weekend, and wanting to be loud and make some noise and whatever, I began writing versions of what became my first, self released digital EP - Of June. I put it up on MySpace the following month and didn't tell anyone."

Word of mouth began to spread for Adam's music, with demands coming from various parts of the country for an album. Maybe I'm Dreaming, released digitally in March of 2008, was Owl City's full-length debut. The album has garnered great critical praise and is a clear representation of Owl City's progression as an artist.

Adam became a phenomenon on MySpace with more than 7 million profile views and 40 million plays, which is outstanding in such a short span of time. It was clear that Owl City was making a colossal impact on the music scene.

As listeners on MySpace climbed into the tens of millions, Owl City got set to release his next creation, Ocean Eyes. Loaded with amazing loops, catchy pickups, and lyrics that soothe the mind and touch the heart, Adam Young has once again created a lush listening experience.

Owl City's trademark desire to escape in dreams, oceans and sky abound on this, his first official CD, in songs such as "Cave In" and "Umbrella Beach." Adam also continues to display a terrific wit uncommon in most electronic based music in such songs as the clap infused, bouncy "Dental Care" (a humorous metaphor on smiling) and "Fireflies."

Given the official compact disc treatment, previously released fan favorite "Hello Seattle" gives the great Northwest its' due with an ode to highlands, parking lots, Puget Sound and albatross. With glorious vocal harmonies ("The Saltwater Room") and touching odes to love lost ("Vanilla Twilight") Adam has dug more deeply on Ocean Eyes lyrically and musically than ever.

Sabado, Agosto 1, 2015

Pop-Rock positive
Amber Pacific
Amber Pacific is an American band that formed in 2002 in Federal Way, Washington. The band released four full-length albums, The Possibility and the Promise in 2005, Truth in Sincerity in 2007, Virtues in 2010 and The Turn in 2014.
Amber Pacific began as group of high school juniors that performed locally in their hometown near Seattle. Under the name, Follow Through. The band consisted of Will Nutter, Tyler Peerson, and Blake Evans. In late 2002, vocalist Matt Young also joined the band with Justin Westcott. In the summer of 2003, Tyler and Blake left the band to pursue other interests and were replaced by Greg Strong and Dango. In 2005, after changing their name to Amber Pacific, the band released their debut album,The possibility and promise under Hopeless Records In 2005 Justin Westcott left the band.
Amber pacific is also one of a Christian contemporary band in the present generation, but before matt young came to this band, Ben Harper was the one who’s been first introduce as the front man who Exploded an Epic song entitled “Video” Killed the Radio Star” it was a BIG Boom in the late 90’s Pop-punk Industry Where the Amber pacific was on the List of BillBoard-200 Chart across America, The band was on the TOP 64 in the chart.
The very Latest but also been passed a few years of count from it’s trend, A song entitled “Gone so Young” was marked on the History of the band.
The song itself tells a story about there high-school friend that was been died due to car accident, and that guy was also part of the band but never been heard because amber pacific that time is yet in peak of the industry. Well I love this band since before and I would love to listen there songs because of the positivity they’ve shared through this kind of music, and probably, I’m also in this kind of Genre.   

Biyernes, Hulyo 17, 2015

Christian Pop Music Icon




Newsboys
 newsboys are a Christian Pop Rock band founded in 1985 in Moolabaa, Queensland, Australia, by Peter Furler and George Perdikis. They have released 16 studio albums, 6 of which have been certified gold. Currently, the band consists of lead vocalist Michael Tait formerly of , keyboardist and bassist Jeff Frankenstein, guitarist Jody Davis, and drummer and percussionist Duncan Phillips.

The Newsboys' first studio album featuring lead singer Michael Tait, Born Again  was released on 13 July 2010 and debuted at No. 4 on the Billboard 200, their highest debut position, and sold over 45,000 copies in its first week. On 12 October 2010 they released the Christmas album,  featuring The Christmas song by Tait. In 2011, the song "City to City" from GO Remixedwas featured in the trailer for the Disney Pixar movie, Cars 2.
God’s Not Dead was released 15 November 2011 Their newest live album, title Live in Concert: God's Not Dead, came out on 22 October 2012. In the same year they released their single "The League of Incredible Vegetables" for theVeggie tales video of the Same Name. The band released their 16th studio album Restart on 10 September 2013. The "Restart Tour" ran from 20 September to 27 October 2013. The band is also a part of the Winter Jam Tour 2013 from November 2013 through March 2014.
The band has filmed a sequence for the film God’s Not Dead, released in 2014. The band then embarked on the "We Believe Tour".They performed at the BigChurchDayOut 2014


God’s Not Dead The Movie
Image result for god's not dead

News boy’s God’s Not Dead Was (Featured) in the same name Called God’s Not Dead, A Christian Inspired Movie that enlightened us about the Truth and existence of Our Creator.

Brief Story:
Present-day college freshman and devout Christian, Josh Wheaton (Shane Harper), finds his faith challenged on his first day of Philosophy class by the dogmatic and argumentative Professor Radisson (Kevin Sorbo). Radisson begins class by informing students that they will need to disavow, in writing, the existence of God on that first day, or face a failing grade. As other students in the class begin scribbling the words “God Is Dead” on pieces of paper as instructed, Josh find himself at a crossroads, having to choose between his faith and his future. Josh offers a nervous refusal, provoking an irate reaction from his smug professor. Radisson assigns him a daunting task: if Josh will not admit that “God Is Dead,” he must prove God’s existence by presenting well-researched, intellectual arguments and evidence over the course of the semester, and engage Radisson in a head-to-head debate in front of the class. If Josh fails to convince his classmates of God’s existence, he will fail the course and hinder his lofty academic goals. With almost no one in his corner, Josh wonders if he can really fight for what he believes.